Category Archives: Advice

Natural light

…it comes and goes! Saturday was the perfect example of how shooting outdoors in natural light can be both exhilarating and unpredictable. Myself, model Chioma, and photographer Stephanie Pierce traveled to the Quabbin Reservoir (so beautiful!) only to be teased and ultimately thwarted by light that was either too intense, or disappeared entirely behind the treeline.

Eventually we found ourselves a gorgeous field along a hill with an unbroken skyline where we proceeded to make the most of the setting Autumn sun:

Bright, direct sunlight can be very unkind if you’re wearing too much makeup, or the wrong colors, so I kept the makeup very natural, showcasing Chioma’s amazing features with just a bit of blush and coral tones on the lips. We kept going until the light disappeared behind the mountains (which is happening earlier and earlier everyday it seems). It was a tricky start to the day, but we got some lovely images in the end.

Soon I’ll be retreating to the studio for shoots like this – not too many models are excited to shoot outdoors in freezing temperatures!

Also posted in Collaborators, Color choice, Photoshoots, Places I love | Leave a comment

Brows gone wild: How to tame ‘em

I’m a big fan of full, natural-looking but well-maintained eyebrows. This preference no doubt stems from my own time on the eyebrow roller coaster. For the first 25 years of my life, I wore my eyebrow full and natural. (Yes, EYEBROW, singular. OK, maybe I’m exaggerating, but my natural eyebrows barely separated in the middle.) Then I started plucking – minimally at first, but pretty soon I was going for broke and ended up with skinny, sad, uneven strips of hair. It took many years to figure out what to pluck and what to leave, and how to shape my (straight, non-archy) brows for my face.

It really is more about what you DON’T pluck. So, with that in mind, here’s a brief photo tutorial for those are you who want to learn how to shape and maintain your own eyebrows. I had some nice & bushy material to start out with since I was allowing my brows a month or so of regrowth – check THIS out:

Again, I want to emphasize that it’s more about what you don’t pluck. In the photo above, the main problem is that several of my brow hairs are too long to lay neatly in place. Only once I’ve pruned them a bit should I go in with the tweezers.

So, here are my tools for the task:

A brow brush, tweezers, scissors (tiny cuticle scissors are recommended but this is what I had on hand), and a white eyeliner pencil.

Trimming the hairs so that there are as few “outliers” as possible is the first step. Here, I brushed my brows straight up so I could see which hairs reached above the natural line of my brow:

(Bloodshot eyes and shower-damp skin are optional for this step… I took these first thing in the morning a few weeks ago, pre-caffeine.)

Next, I CAREFULLY trimmed the hairs that were too long, a tiny bit at a time. You don’t want to make an area look too blunt, so don’t cut too close to the top line of the brow. Little snips, and go slow.

You can also brush the brow hairs down and trim from below, just watch out for your eyelashes! Here’s the freshly trimmed eyebrow:

Now it’s quite a bit easier to see which brow hairs need to stay and which need to go. This is normally where I go ahead and start plucking, since I’ve done this so many times before. But for those of you who aren’t yet sure what shape to make your brows, or aren’t confident that you’ll pluck the right hairs, you can use the white eyeliner pencil to mark your ideal brow shape and then limit plucking to outside of that line.

How to determine your ideal brow shape? There are lots of options, but a tried-and-true method is to use the pencil to make a series of three marks: the inside of the brow (achieved by placing the pencil vertically between your nostril and the inner corner of your eye), the high point of the brow (achieved by lining up the pencil between your nostril and the outer edge of your iris), and the end of the brow (nostril to the outer edge of the eye, shown below).

(You can see I used much too thick and soft a pencil to make these marks – you’ll be able to make more accurate marks with a drier, harder pencil that’s as sharp as you can make it. And it doesn’t have to be white; that just stands out well against darker brow hair.)

If you like, connect the dots to give you the approximate shape you desire. (For more on selecting a brow shape for your face, check out this website – great resource!)

(Again, the pencil is much too soft for this purpose, but you get the idea.)

Now, it’s time to start cautiously plucking the outlying hairs, preferably one at a time. Do yourself a favor and use a regular mirror for this, NOT a magnifying mirror – the magnification tends to make you overzealous with your plucking. (It will also make every pore and line in your face look like a crater or a canyon… trust me, no one sees you that way, so why should you see yourself that way?) It’s ALWAYS better to pluck less than you think you need to. Sleep on it!

Here’s my freshly plucked brow:

Now, you’ll notice that some areas of my brows are sparser than others. This is natural, especially as we age. (And it’s a REALLY good reason not to overpluck, because most people end up with less and less hair growing back in as they get older!) For flash photography in particular, I think almost all brows benefit from a bit of filling in to make them look more finished. In the following photo, you can see the difference between the left and right brows (both are slightly filled in, but one is filled in more opaquely than the other):

How much you choose to fill in your brows can depend on the makeup you’re wearing. If I had on barely any makeup, I’d go for a barely-there brow fill (my right eye above, on the left). But if I was rocking a smokier eye, I would also emphasize my brows enough to balance out the look (my left eye, shown above on the right – confusing, isn’t it?) I like to use short strokes of a pencil to fill in my brows, but I use eyeshadow too – just apply with an angled brush. If you’re aiming for a more natural look, don’t make the inner corner of the brows too heavily filled in or squared off.

Another option is to let a pro shape your brows, and then once you’re happy with the new shape, just do maintenance (plucking strays and trimming as needed). That’s all there is to it!

Also posted in How to | Leave a comment

Academic beauty: Makeup for author headshots and beyond

This is one of those blog entries that’s been in the hopper for far too long – it’s been months already since I had this gig! But, better late than never…

This past Spring (yeah, I know!) I had the opportunity to do makeup for an author’s book jacket photo, and really wanted to write about my experience and the makeup considerations for shoots like this. My subject: Margaret Price, an Assistant Professor at Spelman College in Atlanta, GA. (She spent many years working in MA and hired me for her headshots during a trip to a local academic conference, hence our timely crossing of paths.) Margaret has an upbeat and fun-loving personality that keeps her students laughing as they learn, but was understandably nervous and self-conscious about modeling for her headshot.

She really shouldn’t have worried. Maybe it was photographer Lesley Arak’s superior professionalism, maybe it was Margaret’s natural flamboyance, or maybe (just maybe!) it was the fact that she absolutely loved the makeup I did – but she was a natural in front of the lens.

Here’s the look I came up with – polished, natural beauty all the way! – and you can tell from her genuine smile that she was actually having a good time in front of the camera:

I particularly love how relaxed, natural, uncontrived, and HAPPY she looks – and who wouldn’t be happy when they were fulfilling the “publish” part of “publish or perish”? Given her neat-but-casual wardrobe, loosely styled hair and natural smile, she also looks down-to-earth and FRIENDLY. Approachability is not an expected trait in academics, which is a shame considering most of them actually ARE approachable (they have to be; they teach 19-year-olds!) It’s all too easy to seem aloof when you’re actually nervous, so Margaret’s unexpected ease was a joy to behold.

Professors, authors, actors, CEOs… professionals in many industries benefit from having a good, professional photo, and makeup is a big part of making the end result outstanding. Whether you do your own face or hire a pro, here are a few principles to keep in mind:

  • As with ANY photo shoot, be sure to avoid makeup that is photoreflective (read: sparkly). If you have too much mica all over your face you risk looking greasy, washed out, sweaty, or all of the above once the flash hits you. Stick with a natural matte or satin finish and restrict the shimmer to the places you want to highlight (such as eyes, cheekbones, or lips – and not all three at once!)
  • Remember that photography is a 2-dimensional medium, and your face is not. Makeup serves to bring out your features and gives you the opportunity to subtly emphasize your eyes, cheekbones, and lips – anything that would be too monochromatic or muted if left bare in a photo. While few people highlight and contour their faces in everyday life, photography – especially black & white photography – is the ideal time to make sure that your features retain their shape. (But err on the side of subtlety – too much contour or bad blending lands you straight in 1980s territory! Hey, I never said this stuff was EASY.)
  • A headshot is, at its simplest, you as yourself. Actor headshots, for example, need to accurately depict the person who is showing up for the casting, but there is an “effortless” polish to them. The look should be about your face, not the makeup you’re wearing. My look for Margaret served to unify and brighten her complexion and emphasize her eyes, but she still looks like Margaret.

When in doubt, hire a professional – and that goes double for the photography! Headshots are deceptively simple-looking, but ask any pro photographer – they are among the hardest to shoot. Not only are the subjects frequently “regular folks” (i.e., not camera-savvy models and actors), but wrapping up someone’s looks and personality and professionalism in a single image, sans distractions, with minimal editing, is no simple task. Find a photographer who shoots the kind of photos you need, and find a makeup artist who won’t make you look like someone else!

Also posted in Clients, Foundation, Photoshoots | 2 Comments