-
Recent Posts
Recent Comments
Categories
Archives
Category Archives: Fashion
Kontrol Magazine, April ’11 beauty spread
Just received copies of my beauty spread with photographer Angela Michelle Perez, which appeared in the April issue (aka The Art issue) of Kontrol, an Atlanta-based fashion, culture & lifestyle magazine. Since the credits and products used are listed, I’ll just let the clips do the talkin’! (Click the images to see them full-size.)
Also posted in Airbrush, beauty, Collaborators, Color choice, Photoshoots, Published work
Leave a comment
Sessions Magazine editorial
I’d almost forgotten about this shoot, from Halloween during my 2010 NYC testing trip – I was a last-minute addition to the roster and literally wrapped this a few hours before I boarded Amtrak to return to Massachusetts. We had a great time getting Gemmy prepped in the Starbucks on Front Street in Brooklyn (you gotta do what you gotta do on a location shoot)! The clothing designer, Eminent Fash, subsequently submitted our work to an online magazine called Sessions – here is the spread:
And since I know it’s hard to actually see the makeup in this layout, here are a few close-ups from the shoot:
Photography: Melissa de Blok
Wardrobe & styling: Larissa Muehleder, Eminent Fash
Model: Gemmy Alcantara, Women Direct New York
Makeup: Me, of course!
Also posted in Collaborators, Photoshoots, Published work
Leave a comment
Boutique Week shoot
Meet models Olga & Polina, the forces behind Boutique Week!
Photography: Natalia Borecka
Wardrobe styling: Amanda Antunes
Also posted in Collaborators, Photoshoots
Leave a comment
Backstage at The Emerging Trends, Boston Fashion Week 2010
I’ll admit, I was worried that I’d be overwhelmed and exhausted yesterday. I was up (at 6am) to get ready for a 5-person wedding, and then to the city to assist backstage at a Boston Fashion Week event (which wrapped up around midnight!) But when you’re enjoying yourself so much, and working with great people, you tend to forget how long you’ve been on your feet. It was a fabulous day, and the sheer fun of it energized me (and made me forget I’d stashed bottles of 5-Hour Energy in my bag).
The wedding went smoothly, with subtle smoky eyes for the bridesmaids and beautiful 40′s-inspired makeup for the bride (hopefully I’ll have photos to show soon!) Then I picked up friend and fellow artist Karrie Welch to get to Boston, and we managed to arrive quite early to set up.
Our charge: assist the two key artists, Julie and Christy, backstage for the presentation portion of The Emerging Trends – specifically, Karrie and I were responsible for all of the skin prep and airbrush foundation work.
The event was held at the gorgeous Park Plaza Castle, and the backstage area was huge and packed with busy stylists and models in various stages of preparation. We were representing David Paul Salons from Sudbury, MA (near my hometown!), a really talented and enthusiastic group of artists who produced some amazing sculptural work (one of the four presentations in particular was time and talent-intensive):
The looks were very diverse: the first, a delicate, natural look with a bright jeweltone lip to complement the work of jewelry designer Barbara Garwood and clothing by Vennie Caprice:
The second was a vibrant gold and fuchsia eye paired with a nude lip and the dramatic hair shown in progress above (the makeup here is still unfinished, but check out that cotton-candy hair!)
The third, dark smoky eyes at a modern angle with nude lips. And the fourth was intentionally paled-out skin with dramatic winged eyeliner and bright red lips.
There were ten models, and many of them appeared in two of the four presentations, which took place in between runway shows. There was ample time to prep everyone for their first presentations, but there was much less time to change up the hair and makeup for their second stage appearances. By far the most challenging portion of the evening was transitioning two of the models from look #2 to look #4. First, all of the pink and gold makeup had to be removed – so far so good. Then the faces had to be airbrushed to be unnaturally pale. Then, the eyeliner had to be drawn on along with the red lips.
The catch? All of this had to happen while the models’ dramatic, backcombed hair from look #2 was being brushed out, smoothed and arranged into buns on top of their heads!
Since the key artists were busy prepping models for look #3, Karrie and I had to execute the remaining two models for look #4. It was really challenging because the models were getting their hair pulled (sometimes painfully – no one said being a model was easy) and couldn’t hold their heads still – normally a requirement to do eye and lip liner! (Imagine trying to line your eyes while sitting in the back of a Jeep bouncing along on a rocky country road.) I steadied my hand (and her head) as best as I could and angled the liner so it wouldn’t poke her in the eye. I’m sure our resulting looks could have been more symmetrical and fully developed, but they passed muster with the lead artists just in time for the models’ return to stage. Here’s the model I made up:
At the end of the night, everyone was invited onto the stage for a round of applause, so I actually got to step out onto a runway. Definitely something I never envisioned happening when I was a shy tomboy back in high school. (Props to the models for managing to walk smoothly on stage; when I was facing front I couldn’t see a thing because of all the lights! At least I didn’t blunder off the edge or something.)
All in all, it was a fantastic day, and I owe it to Christy Lavallee (for bringing me on board) and Karrie (for being a fantastic fellow assistant) – we managed to get everything done and turned out some great faces in the process. Not bad for three gals who are new to runway! Here we are, left to right: yours truly, Karrie, and Christy:
I also shot a little video of our prep area during a bit of downtime between models (believe me, before I so much as touched my camera I checked around to see if there was anything useful I could do!) – check it out here.
Hard work, but so. much. fun!
Also posted in Airbrush, Behind the scenes, Collaborators, Events
2 Comments
Missing the point entirely!
I got a kick out of the Model-Morphosis image slider application on the NYT blog, showing the makeup befores & afters, but then wasted 10 minutes of my time reading some of the anonymous reader comments. (Tip for sanity: never do this.)
Now, I’ll readily admit that I’ve balked a bit at runway makeup styles myself. Sometimes I wonder why the designers decide that the models should be made up to look like they haven’t had any sleep or water to drink in a week. A few years ago I almost crawled out of my skin upon viewing MAC’s “backstage trend” images – I think it was this pair of lips that did it:
(AUGH! FOR THE LOVE OF ALL THAT’S HOLY, EXFOLIATE BEFORE PUTTING ON FROSTY LIPSTICK!)
But! Let’s all take a deep breath and remember that runway shows are THEATRE. You’re not supposed to take them literally, unless you actually live in that universe (or are a hopeless fashion victim). That applies to the clothes, and the hair, the look and physical proportions of the models (unachievable for most of humankind!), and – of course – the makeup.
But still, people fixate on what is – and isn’t – traditionally “pretty.” I love reading all these comments by men saying “she looked hotter before!” and “well I don’t find her sexy” – um, dude? That’s SO NOT THE POINT. To me, that’s like looking at a Picasso or Dalí painting and saying “WTF? These women/landscapes/whatever aren’t attractive to me personally!” Right, because contemporary artists REALLY want to have their images on the cover of Maxim, if only they could paint a sexier picture…!
(And I realize how grandiose it is to compare a fashion show to Salvador Dalí, but just go with it. And if you need any evidence that fashion can be art, look up a few of Alexander McQueen’s runway shows on YouTube – just incredible. So sad that he is gone!)
If you’re watching a fashion show, or reading an editorial in a fashion magazine, and see something that gives you a WTF moment, I’m not saying you ought to try to like it or appreciate it or (god forbid) EMULATE it, if it’s not to your taste. (Believe me, when STIRRUP PANTS reappeared a year ago, I was just as traumatized as anyone else who survived 80′s fashion the first time around!) But consider the context. Runway models aren’t meant to resemble “normal” women, and runway fashion may not resemble anything you’d actually wear – hell, most of the MODELS don’t wear fashion like that offstage! (And actors don’t usually wear their costumes to the grocery store, either, but this doesn’t usually surprise people.)
Now, how does all this apply to makeup? I suspect I’ll need to do a Part Two, but the short of it is: you don’t have to take it literally. In fact, unless you travel in fashionista circles and/or enjoy looking a bit freaky, PLEASE don’t! Instead, look closer. Maybe amidst the parade of gaunt, oddly painted faces you’ll spot one small element you find appealing: a bright lip, a smoky eye, a sunkissed cheek, a different color or shape than you usually wear… and that could inspire you to try something new, just for the fun of it. THAT’S how you translate high fashion to everyday fashion. (And experimenting with makeup doesn’t require you to drop 10 grand on a couture gown!)
When it comes to makeup, or fashion, or any form of self-expression, be true to your taste and your aesthetic, but be open to intrigue. That’s what art is for.
Also posted in Liz's soapbox
Leave a comment


























